Digital paintings in Procreate and Rebelle, traditional work in oil and watercolor, and the occasional portrait of someone's pet hamster.
Each listing offers prints and digital downloads. Originals are arranged by email.
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Acrylic on gesso board/12" × 16"
“cobalt against cadmium yellow.”
Painted from a photograph taken at dawn somewhere outside of Siena. The sky moved through about five different colours in the time it took to mix the first wash, so I committed to a moment — that thin band of yellow between cobalt and sienna — and built the rest of the painting around it. Acrylic on gesso board lets me work fast and rework, which is how I like to paint landscapes.
The Gallery Wall
Paintings from the studio. Click any piece for details and purchase options.

“the sky in this one is rose madder, raw sienna, and a lot of patience.”
9" × 12" · on 300gsm Arches cold-press cotton paper

“thirty-two layers of dry brush for that crest, give or take.”
10" × 10" · on 300gsm Arches hot-press cotton paper

“almost nothing in it. just three colors and some restraint.”
9" × 12" · on 300gsm Arches cold-press cotton paper

“the trick was keeping the warm out of the snow.”
9" × 12" · on 300gsm Arches cold-press cotton paper

“magenta + sienna = a wall i can never paint enough of.”
8" × 8" · on stretched canvas

“orange against green.”
20" × 20"

“blue that reads cold without going grey.”
20" × 20"

“the eye had to look surprised before anything else worked.”
24" × 16"

“the wood grain took longer than the hamster did, honest.”
8" × 10" · on 300gsm Arches hot-press cotton paper
The Print Program
Poster paper, giclée, and canvas. Choose material, size, and an optional frame on each listing.
Classic matte, premium matte, and semi-glossy poster papers.
Archival matte and giclée on enhanced matte paper.
Stretched gallery-wrap canvas in slim or thick profiles, plus framed canvas with your choice of frame colour.
Optional wooden or metal frames on paper prints.

the desk is a mess but the light is perfect from here at 4pm.
late march, tuesday
inside the studio
“I paint slowly, on small surfaces, and try not to overthink it. Most of these were started outside and finished by lamplight.”
A small wooden desk by a north-facing window, a glass jar for the brushes, and a ceramic palette that doesn't quite get cleaned between paintings. Most of the work in the collection started right here.
Prints, digital downloads, and originals when available.